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13 Lessons
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Color Grading
and Correction
You can choose one of more than 20 looks provided
as custom effects in the Color FX Binx, modify
and save it for later use, and even reuse it
on other projects. Experiment with and save variations
of the four “live” grades available
to you and even import grades pre-created by
professional colorists and editors.
Intuitive
Task-Based Workflow
Editors will find Color easy to use as it combines
familiar features with intuitive new 3D Color
Space. In order to access the tools you need,
Color utilizes a task-based workflow prearranged
into eight "rooms," or workspaces ranging
from the simple “Primary In,” to
the more advanced "Render Queue."
top 5 things you will learn:
Color Rooms
Monitors and Scopes
Organizing Tracks for FCP
Color Nodes
Motion Tracking
table of contents
Color
Introduction to Color
User Preferences
Color Rooms and Workflow
The Timeline
Scopes and Broadcast Safe
Preparing for Send To Final Cut Pro
Primary Corrections
Secondary Corrections
Color Effects
Scene to Scene Color Correction
Primary Out Room
Animating Grades and Effects
Rendering and Output
about
the instructor
Alexis Van Hurkman
lexis Van Hurkman is a writer, director, and colorist based in New York. As a colorist, Alexis works on a wide variety of narrative and documentary programming. In 2006 Alexis' own feature "Four Weeks, Four Hours" screened internationally at the Breckenridge, Salento Italy, Portland Longbaugh, Toronto ReelHeART, and FAIF film festivals. Alexis has written extensively about postproduction with a column on Color in "Edit Well," and books including the "Encyclopedia of Color Correction" and "Advanced Color Correction and Effects in Final Cut Pro." Working for Apple computer, Alexis also wrote the user manuals for Color 1.0, Shake 3.5 and 4, and Final Cut Pro 2, 3, and 4.
Alexis Van Hurkman
